Nashville Story Garden
with Nate Eppler & Lauren Shouse
Human Resources
March 27–April 6
Tickets $20-$30
“One of the most innovative and exciting companies in town”
— Nashville Scene
Nashville’s most adventurous theater artists join forces to take on corporate culture in this site-specific production designed for OZ Arts’ expansive warehouse. Lively physical interactions, surprising humor, and eerily familiar nine-to-five horrors combine to create an inventive, disorienting, and thought-provoking performance you won’t soon forget.
Faye Driscoll
(New York, NY)
Weathering
April 24-26
Tickets from $30
“An enthralling, epically adventurous work”
— The New York Times
Ten performers cling to a revolving platform, surrounded on all sides by a rapt audience witnessing the careening and awe-inspiring kinetic sculpture of vulnerable human bodies. Choreographer and director Faye Driscoll describes her latest work, Weathering, as a “multi-sensory flesh sculpture,” and a “morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene.”
Brave New Works Lab 2025
Featuring
WINDSHIP BOYD & TUMELO MICHAEL MOLOI
LANDRY BUTLER & INGLEWOOD SOCIAL CLUB
STACIE FLOOD-POPP / FOUND MOVEMENT GROUP
KOURTNEY “KOKO” FRENCH
May 15-17 at 8PM
Tickets from $20
“One of the most interesting and dynamic presentations of locally grown talent.”
– Nashville Scene
Celebrate local innovation and creativity with a bold evening of entirely original short-form performances by Nashville artists. This year’s program features a new dance work inspired by the paintings of Hieronymus Bosch, a collaboration exploring the interplay between gumboot and step dance, a trippy live music and multimedia experience, and a fresh Hip-hop dance creation.
Sai Clayton
[Freeze Frame]
February 19 - August 8, 2025
Artist Reception: Saturday, April 26th from 5pm-7pm
(before the closing performance of Faye Driscoll’s Weathering)
Striking a balance of the playful and the provocative, Sai Clayton’s work uses traditional iconography and heightened theatricality to reflect the absurdity of negotiating two cultures and races. Combining her Japanese heritage and Southern upbringing, this collection delves into the dichotomies of masculinity and sensitivity, spectatorship and performance, and the inner and outer self.