Artist & Creative Community tickets $25
This production is recommended for mature audiences due to adult content and partial nudity.
“Utterly mad, and utterly brilliant”
— Seeing Dance Journal
“Extremism with visual absurdity and a touch of whimsicality”
— Asahi Shimbun News
A giant hamster wheel spins wildly as frenetic fairytale empresses race through a whirlwind of flags, symbols, and startling theatrical images in this wildly imaginative dance-theater spectacle. In The Age is Yours, My Liege! (A Tale of Proto-Japan), acclaimed Japanese director and choreographer Reisa Shimojima and the fearless performers of her KEDAGORO group conjure a world where power is performed, myths become institutions, and obedience teeters on the edge of absurdity. Blending kinetic choreography with surreal theatricality and biting humor, this thrilling, eccentric new work questions who creates authority, why societies choose to follow it, and what happens when long-held systems begin to crumble.
One of the most exciting new voices in Asian performing arts, Shimojima creates boundary-pushing works rooted in her belief that “dance is a method for interpreting the world.” Her rebellious artistic vision confronts entrenched systems with equal parts wit and spectacle, inviting audiences to look beyond the pageantry of power and imagine what lies beneath. Coming to the U.S. for the first time, KEDAGORO delivers a singular theatrical experience that is as visually outrageous as it is thought-provoking.
Sunday, November 15 at 11AM
Global Education Center (4822 Charlotte Avenue #22)
Join KEDAGORO artistic director and choreographer Reisa Shimojima for a free movement masterclass exploring her rebellious approach to dance and performance. Free and open to movers of all levels.
Sunday, November 15 at 3PM
OZ Arts (6172 Cockrill Bend Circle)
Meet artists Rima Day and Lanecia Rouse, whose work is showcased in our current exhibit curated by Sai Clayton. Enjoy complimentary drinks and stick around for the final KEDAGORO performance (tickets required).
Reisa Shimojima (Artistic Director of KEDAGORO, Choreographer, Dancer) was born in 1992 in Kagoshima, Japan, and began dancing at the age of seven through yosakoi, a unique and high-energy modern-traditional dance performed at festivals in Japan. She later studied contemporary dance under Kuniko Kisanuki at J. F. Oberlin University. In 2013, she founded the dance company KEDAGORO, for which she choreographs and directs all productions.
Based on the belief that “dance is a way of interpreting the world,” Shimojima creates works for KEDAGORO that provoke debate and controversy both in Japan and internationally, such as: sky (2018), inspired by the United Red Army Incident; Because Kazcause (2021), about a notorious fugitive who underwent extensive plastic surgery and remained on the run for fifteen years; 세월 (Sewol) (2022), created through research into the Sewol ferry disaster in South Korea; and Yogakimi·Berobero·Kerberos (The Age is Your, My Liege! A Tale of Proto-Japan) (2024), which explored the Japanese concept of kokutai (national polity).
Alongside her work with KEDAGORO, Shimojima has maintained an active independent practice. Her solo work Monkey in a Diaper (premiered in 2017), inspired by the Aum Shinrikyo incident, has been presented at more than ten festivals in Japan and abroad and has received numerous awards. In 2021, she choreographed, directed and performed Shut Up, Womb, a commissioned work for the Korea National Contemporary Dance Company (KNCDC) as part of its Asian Choreographer Project. In recent years, Shimojima has developed numerous international collaborations with artists and companies from South Korea, Hong Kong, Singapore, Indonesia, Taiwan, Northern Ireland, Germany and beyond. Since 2023, she has served as an Associate Artist of the International Performing Arts Festival ODORU-AKITA. She received the 17th Japan Dance Forum Award.
Akane Kigoro is a graduate of J. F. Oberlin University. Having no particular “dream for the future,” Kigoro happened to enroll in a university with an arts department—a decision made somewhat aimlessly—where she crossed paths with dancer Reisa Shimojima, a figure whose world she had assumed would never intersect with her own. This encounter led her to begin participating in theater and dance projects. In 2013, she co-founded KEDAGORO with Shimojima and has since appeared as a dancer in numerous KEDAGORO productions. Outside of her artistic work, Kigoro works in the apparel industry, navigating between the worlds of fashion and the performing arts.
Saori Koizumi graduated from J. F. Oberlin University. Instinctively, Koizumi couldn’t stand either the institution itself or the people at the university (Shimojima, in particular, was the type of person she had the least patience for), and she therefore spent a lot of time outside of the university, working part-time. It was through this that Koizumi — fortunately or unfortunately — met Shimojima’s KEDAGORO by chance and, since the inception of KEDAGORO, has appeared in many of the company’s works as a core dancer.
Aki Nakazawa is a graduate of J. F. Oberlin University, where she majored in dance while also voluntarily pursuing various academic studies including Korean language, anthropology, religious studies, aesthetics, political science and the Eastern art history. One day, while at the university, Shimojima invited Nakazawa to join her creative projects, and Nakazawa ignored it —however, she accepted the second invitation, resulting in her ongoing involvement with the group since the company’s inception. Nakazawa has appeared as a dancer in numerous KEDAGORO productions. She also has basic fluency in the Korean language.
Shohei Kano is an actor affiliated with the theater company Tokyo Kandenchi since 2016. He has appeared in numerous stage productions presented by the company, including Hogiuta, Ushiyama Hotel and Monban no Aki, all directed by Akira Emoto. He also frequently participates in works from Reisa Shimojima. His screen credits include films such as Do Unto Others, Prior Convictions and The Last 10 Years, as well as television series including Shinjuku Field Hospital, Honest Real Estate 2, Alice in Borderland (Season 2) and Aibou (Season 21).
Mayu Kishimoto is a dance artist. Graduating from the Department of Theatre and Dance at J. F. Oberlin University, Kishimoto completed the intensive 11th Domestic Dance Study Program in Kobe as a Dance Residence Artist. She has participated in works by dance and performing arts companies including KEDAGORO, Santen Toritsu, Garando, Spacenotblank by Ayaka Ono and Akira Nakazawa and Mariachi, among others. After graduation, she served as an assistant to choreographers including Kuniko Kisanuki and Akiko Kitamura. She also works as a rehearsal director and is involved in production support and on-site operations for various companies.
kotaro kino currently works as an actor and model. He regularly presents and performs Chekhov’s one-man play On the Harmful Effects of Tobacco at bars and other non-theatrical venues. He is a former track and field athlete.
Yumi Okada, a dancer and dance writer, received a master’s degree from the Department of Intermediate Art, Graduate School of Fine Arts, Tokyo University of the Arts. Her creative activities and research are both focused on physical expression. Her recent activities include performing for the Yokohama Dance Collection 2024 Competition II and Toyooka Theater Festival 2025 Fringe Selection. Okada is active in both presenting her own works and dancing for other choreographers’ works.
Aima Ayano is an actor and show dancer. Following university graduation, she began working as a freelance actor, primarily in theater. In 2024, she co-founded the theater unit FUMU with actor Hibiki Kitazawa and presented the group’s inaugural performance the same year. As a show dancer, she has appeared in a diverse range of productions—from those emphasizing physical performance to dialogue-driven plays. Her work spans across theater, dance and film, and in recent years, she has also been involved in creating original works with FUMU.
Konami Sakata began classical ballet in childhood, and performed color guard for five years as a teenager. At J. F. Oberlin University, she studied contemporary dance under Kuniko Kisanuki. She has performed in works by Ruri Mito, Reisa Shimojima, Yukio Suzuki and others, and has also created original solo works. Sakata is a recipient of an Encouragement Award at the Yokohama Dance Collection 2025 Competition II and serves as an instructor at TENNEN DANCE KOBO.
Hinata Shinohara is a graduate of the Tokyo Metropolitan High School of Fine Arts (majoring in Dance within the Performing Arts Department, with a Contemporary Dance Course concentration) and Ochanomizu University (majoring in Dance and Dance Education). She is currently enrolled in a graduate program at the same university. She has performed in works by Kazuyuki Futami, Ikumi Kurosu, Ema Yuasa and Reisa Shimojima. In addition to working as a part-time physical education instructor, she engages in the practice and research of dance education, participating in outreach initiatives such as those for the Tokyo Deaflympics and programs for special-needs education classes.
Kiharu Kanezashi is a graduate of J. F. Oberlin University and a member of the dance company Chapter. At university, he studied theater, Peking opera, contemporary dance and Kyogen. He performed in Kanagawa PAA 2025, where he received the Audience Award. Notable stage appearances include The Woman-Killer and the Hell of Oil, Yogakimi·Berobero·Kerberos (The Age is Yours, My Liege! A Tale of Proto-Japan), Blue Moment and Ultrasound. He is also involved in conducting workshops for children.
The U.S. tour of The Age is Yours, My Liege! (A Tale of Proto-Japan) is produced by Japan Society, with support from the Agency for Cultural Affairs, Government of Japan, Japan Arts Council, Arts Council Tokyo (Creation Grant), and The Harkness Foundation for Dance.